Levels 1 and 3 Complete

I finished Level 1 last week and whipped out Level 3 today. I did the testing on these myself but will still have them tested by others for degree of difficulty. They are being done out of order to fit together in the DMap area. I am holding off on loading these for playtesting just yet so that I get more information on the Overworld first. They will be going up on YouTube tomorrow, however. Here are the two maps:

Level 1 - Croc's Head

Level 3 - Ghost

- VashTS

Zelda SoDak: Overworld

As promised, the Overworld to my Zelda Classic game is complete. Again, I'm sorry if you can't see the pencil lines. I'm going to have some playtesting of the Overworld and may have to make changes if something doesn't flow right. Here are pictures of the grid I made and the finished product:

- VashTS

Austin GDC Roundup

Last week was the annual Game Developers Conference in Austin, Texas. For those of you who don't know, GDC is a massive game industry conference where companies of all sizes get together and discuss the latest trends in the industry. Sessions can vary from "how to grab the attention of the casual markey," "how to make sure you aren't infringing on copyrights," "how to better market your games," and "how we used this piece of software to make our game really cool and now we're telling you how to do the same (in other words: really technical stuff)."

There are several difference locations that hold a GDC every year at the same time. Austin's is always in September, San Francisco is always in March, Europe's (held in Cologne, Germany) is every August, then there's Canada's and China's as well. Out of the two I've been to (Austin and San Francisco), Austin is much smaller and has a more relaxed atmosphere whereas San Francisco is more like the E3 of GDCs. By this I mean that is it extremely huge, showcases new games as well as industry insight, and the after parties are pretty much all exclusive. I guess while I'm at it, I should explain what E3 is in case people don't know that one, either. E3 stands for the Electronic Entertainment Expo and is held every June in Los Angeles. Unlike GDC which is more technical, E3 is the time for all the companies to display all the newest games and hardware for the next year.

Anyway, back to GDC. Like I had said, Austin is much smaller and has a more casual atmosphere than San Francisco. You are able to walk around the Expo floor and talk to people for pretty much as long as you like whereas in SF you might have a minute if you're lucky. This was certainly true again but something else I notice this year compared to last year was that the crowd size had been reduce dramatically. Sessions weren't nearly as full as they usually are and the Expo floor was literally half the size that it was last year, if not more. The majority of booths at the Expo were also software and technology companies rather than actual game companies. I heard that there were 4,000 people in attendance this year, which by itself is by no means small, but when you compare it to previous years, some heads might turn wondering why the difference. I have two theories. The first and most logical to the average person: the economy. With things as they are now, most companies probably can't afford to send people to these events and would rather save up for E3 or even possibly GDC San Francisco since it is bigger. This theory is backed by reports I've heard on state government conventions, mainly dealing with the DoT (Department of Transportation). They had a big conference a couple of weeks ago as well and most places couldn't afford to send their employees. So many, including the guest speakers, had video phone conversations set up in their offices that were broadcast at the convention site.

My second theory is the main theme of this year's convention: MMOGs (Massively Multiplayer Online Games, or even simpler just MMO). While this is a huge market and brings in a ton of revenue, there really aren't all that many companies that are focused on this genre of games as compared to the industry as a whole. This means that while some topics can be beneficial for non-MMO companies, the majority are leaving the rest of the industry without much to take in. Several companies were also saying this as well as the indie crowd.

Overall, though, Austin was just as much fun as it was last year. The sessions I attended were extremely beneficial. I'm going to post some links to some articles on these talks below if anyone is interested in reading on them. For two nights, the Alamo Drafthouse in downtown Austin held showings of two different documentaries. The first was filmed at last year's GDC SF and is called Into the Night. It followed Chris Crawford, an early game designer and founder of the GDC, and Jason Rohrer, a young indie game developer, around SF as they talked about how games have changed over the years. The second night featured a documentary on the rise and fall of pinball, most notably Williams Pinball, called Tilt. Both were very good but I found Tilt to be extremely interesting - especially because of the fact that there is only one pinball company now and Williams, who used to be the largest distributer in the world, had made a ground-breaking new machine in 1999 that I had never seen and now they are gone.

Before and after these documentaries, there were short films that people had made that were inspiried by the look and feel of video games and also probably animation on the whole. Some of these were pretty funny but on the whole they were really messed up. I'll post links to two of them so you can see what I mean.

In other news, my Zelda Overworld is about 80% done by now. I'll have more screens of it up later this week. My plan is to have the entire Overworld (e.g. - layout, secrets, shops, etc.) completed by next weekend. Should be a pretty easy deadline. Then it's on to the dungeons.

- VashTS

LINKS:

GDC Sessions:

Storytelling through Independent Games
http://www.destructoid.com/gdc-austin-09-storytelling-through-independent-games-149119.phtml

Splosion Man Postmortem
http://www.destructoid.com/gdc-austin-09-twisted-pixel-s-splosion-man-postmortem-148926.phtml

Flashbang Studios: How to Make a Game in 8 Weeks
http://www.destructoid.com/gdc-austin-09-flashbang-how-to-make-a-game-in-8-weeks-148861.phtml

Fantasic Contraption Postmortem
http://www.destructoid.com/gdc-austin-09-the-fantastic-contraption-postmortem-148758.phtml

Gaijin Games: Holistic Indie Game Design
http://www.destructoid.com/gdc-austin-09-gaijin-games-holistic-indie-game-design-148715.phtml

The Universe Behind World of Warcraft
http://www.wow.com/2009/09/17/agdc09-blizzard-talks-about-world-behind-warcraft/

Videos:

Tilt: The Battle to Save Pinball Trailer
http://www.youtube.com/watch?v=JIolBJwH9p0

Into the Night (It's in English but has German subtitles)
http://www.youtube.com/view_play_list?p=23FF624894437DEE

Kings of Power 4 Billion %
http://www.youtube.com/watch?v=Ll5qW9_ex0g
http://www.youtube.com/watch?v=m9M__celKco&feature=related

Pirate Baby's Cabana Battle Street Fight
http://www.youtube.com/watch?v=T5zpNfTfGZU&feature=related
http://www.youtube.com/watch?v=Mgm1o5TzLUc&feature=related

Zelda SoDak

I'm starting to piece together my Zelda Quest. I've been drawing the overworld out on graph paper. The border is complete and so are two of the prime sections. I have some other pieces done as well but they aren't really in a "section" yet so to speak (e.g. - Lost Woods, Death Mountain, Kakariko Village, etc.). Once I complete something on the map, I have been placing it into ZQuest. I'm not fretting over secrets, shops, and other things of that nature yet. I know where I will be placing them but I'm not doing it in ZQuest until I have the entire overworld complete. Then these sections will come in followed by the dungeons. The only section I have actually put in is the Badlands maze because otherwise Link will get stuck in a wall.

Here are some comparison screens of the graph map I made and the end product in ZQuest. I have the graph blocked out for each square of the overworld (the dark black lines) and the normal graph squares represent one tile square. This way I know exact dimensions of everything. If you can read the graphs, 'S' means "stone," 'A' means "Armos," and 'T' means "tree." Anyways, here's the photos:

I may have to raise things higher on the bottom of the screen. I'll have to see based on playthroughs later. It won't be that big of a deal, though. These two photos show two of the dungeons. One of hidden in the forest...

In other news, GDC Austin begins in a week. I've had a bug of some kind for the past week because I've been going to bed/waking up with a lot of phlegm and coughing. It has been getting considerably better but I went into the doctor's today and got some pills just so that I'd be completely over it by the time the convention starts. Can't wait!

- VashTS

Zelda Classic is Rolling

I had started to use a tutorial I found for ZQuest (the Zelda Classic editor) but it stopped in the middle. Then I found the "official" ZQuest tutorial created by AlphaDawg, the winner of Zelda Classic's Third Quest competition. His quest was dubbed the "Third Quest" and was put in with an updated version of Zelda Classic. The tutorial he made still doesn't cover every nook and cranny of ZQuest but it does go through all of the basics you'd need to make a quest in the same fashion as the original two.

A link for AlphaDawg's site is found below:
http://www.kingsquee.com/zc/zqtutorial/index.html

There were a couple of things I could not figure out while doing his tutorial and the YouTube tutorials of BikdipOnABus helped cover them. The first of his tutorials is linked below:
http://www.youtube.com/watch?v=iTvuoqr5cYU

The only issue I'm having still is the drying up of a pond when you blow the whistle - like in the original game for getting into Level 7 (shown at 40 seconds in below):
http://www.youtube.com/watch?v=gaYEmWjpAW8

I think the animation was taken out of my version and so I'll have to just resort to using a secret combo with no animation.

Head over to my portfolio and check out the end product of the tutorial. There are a few items wrong in it that I found the fixes to the day after making the video (of course). These issues involved the grayscale stairs you see. There was an audio glitch I also encountered which took all of my background music away. I found the fix for that on PureZC.com but the background music you hear in the video I put in manually to sync up using Audition. I'm pleased with the results, glad I won't have to do it again, but also mad that I had to in the first place.

- VashTS

Hiatus Complete!

The school term ended at the end of March and I have been taking it rather easy since then. The graduation ceremony was in the middle of April and I had been teaching at my hometown high school. I really enjoyed showing the kids how to do things and they were very eager to learn, especially after knowing what I went to school for. There are a few students that are looking into going to Brown for Game Design because I had been coming in to show them various aspects of the game industry.

My college diploma - isn't it pretty? They left my middle name out, though, even though I told them to put it on...

For the month of June I was in Europe touring around Italy, Germany, France, and England. Learning about the history of the Roman Empire and seeing their architecture was really impressive. Germany was the most fun just to walk around and take in, however - especially Oberammergau and King Ludwig's castles. I may make a post here with some pictures from the trip, haven't decided yet.

Since I have returned from Europe I have been showing my relatives all the pictures and everything. I have also resumed the job search. I updated my website some yesterday and am currently working on two models and working with an editor called Zelda Classic. Zelda Classic allows you to make complete games from the original Legend of Zelda. Somehow you can load sprites from A Link to the Past and Link's Awakening as well as your own but I haven't gotten that far yet.

I am also dinking with a Mario editor called Mario Forever (the editor is called Mario Worker). The most frustrating thing with this editor is that you have to completely close out of the editor to test your level, test it, close that out, and then wait for the editor to load back up. There is no real documentation, either, so it takes a lot of experimentation to figure out the right combination. For this editor it wouldn't be so bad if it didn't take so long to constantly reload.

So that's were I'm at for the moment. Time to get back to work.

- VashTS

Area 52 Progression pt. 4

The quarter is winding down. Everything is due in three days. The level is pretty much complete at this point. Only three items still need to be textured and then a bit more tweaking maybe on lighting. Here is the level currently:

The classic view of the level. Unreal is putting a lot of emphasis on the fact that the box in the lower-right is at an angle for some reason... The hidden doors are in place and you can tell the variation in color. I also added in the plexiglass that is covering the wall of the computer lab. Now players can see inside of this area and also use this section as a sniping position by climbing to the part just above the doorway.

Adam's alien creations in their tubes.

A view of the incubation chambers.

The other tubes. This is one of the areas I may have to brighten up a tad.

The ramp in place. The cables are one of the three items that needs to be textured still. You can see in this pictures (and some in the incubation picture above) that I extended out the catwalk in front of the Domination points. By doing this, and by having the crates where they are, a player is now able to jump throughout the entire level. The ramp section was already designed to do this but I had a request to also have this possible in the central area as well. It also adds a nice touch to the environment.

The computer room. The computer terminal here and some computers in the main area are the other two items that need to be textured. I have rigged three cameras (two of which you can see in the first picture) to show the main area on the computer screens. Two of the images are stationary on the Domination points while the other has a constant pan of the entire laboratory.

I'll keep saying it through the rest of these progression posts, but a huge thanks goes out to Adam Bergstrom and Jessie Brueske for their help. Adam's alien models turned out fantastic and they add a lot to the level by slowly moving in their tubes. Jessie has put a lot of effort into the texture work and it definitely shows. It all goes beyond my expectations. Thanks again!

- VashTS